Two-headed Janus [on a coin]
Date
After 211 BCE
Artist
Unknown
Origin
The Classical World : Greco-Roman Era : Hellenistic Period : Italy and
Islands
Summary
Two-faced Janus is the only Roman god who can 'see his own back.' His
dual nature reminds us of the 'back side' of our own psyches and challenges
us with the realization that the unconscious is also double.
Description
On the obverse or 'heads' of a one-as Roman coin (equivalent to a penny)
appears the head of the god Janus. Considered by the ancients as two-faced
(bifrons) or two-headed (biceps), the deity's two identical faces here
share a single neck and are depicted in profile facing away from each
other to the left and right (technically, the god is looking forward
and backward). Janus's features on this coin are far from classically
Roman. He is shown as a mature, bearded man with a large fleshy nose,
bulging eyes, and full lips; the hair of the head, roughly rendered,
probably carries a headband. Indeed, the poor quality of this stamped
relief is reflected in the quality of the coin itself, which is little
more than a flat round piece of metal struck at Rome. On the reverse
or 'tails' of this coin appears the prow of a war galley, the same image
that appears on other coins, whose heads, however, depict different
deities with each denomination.
Cultural Context
The Romans, perhaps more than people of other cultures, were very concerned
with proper beginnings: if a matter began well it would end well. On
January 1, the first day of the solar year, sweets were exchanged as
gifts in order that 'the whole course of the year may be sweet, like
its beginning' (Ovid, Fasti 1.188); on the same day the people worked
lest 'idleness infect the whole' (1.168). At the beginning of war, the
army would march from Rome by way of an auspicious gateway in the Forum
as priests prayed, careful to name the gods in proper order. The first
god named in any Roman prayer, when more than one deity was being addressed,
was not-as one might expect-Jupiter, chief of the pantheon: it was instead
Janus, god of all 'beginnings' ('Janus, Jupiter, Father Mars ... ye
gods in whose power are both we and our enemies,' Livy 8.9.6). The first
month, Januarius, was named for Janus. That auspicious gateway in the
center of the city was really the rectangular temple of Janus, equipped
at either end with doors to allow passage, doors that were kept open
in times of war but closed as unnecessary in times of peace (an all-too-rare
occasion). The god Janus is mentioned in the Salian Hymns, among the
earliest extant fragments of Roman literature, and was judged by the
ancients themselves as the oldest, and first, of all the gods of Italy.
Scholars are of two minds, as to how the god himself originated. According
to one idea (the 'sky theory'), the J of Janus is a corruption of di,
an Indo-European root for 'light' (in the same way that the Z in Zeus
is a corruption of di in Greek); thus the name refers to a creator god
of the bright sky. A second theory traces the name to the Latin word
for 'door' janua (cf. jani, 'arches,' janitor, 'doorkeeper'). Certainly,
doors are where events 'begin' while the two-faced form of this deity
can be attributed to a door's facing within and without, its being the
point through which one both enters and leaves.
The Latin poet Ovid provides data for both views in the account of his
'religious experience' of Janus:
But what god am I to say thou art, Janus of double shape? For Greece
hath no divinity like thee. The reason, too, unfold why alone of all
the heavenly ones thou dost see both back and front. While thus I mused,
the tablets in my hand, methought the house grew brighter than it was
before. Then of a sudden sacred Janus, in his two-headed shape, offered
his double visage to my wondering eyes. A terror seized me, I felt my
hair stiffen with fear, and with a sudden chill my bosom froze. (Fasti,
1.63ff.)
Although Ovid's statement here is probably a literary device, it nevertheless
describes the disturbing attributes of a genuine experience of a numen
(a Latin word for 'god' that also means 'nod,' since it was the nodding
of a god's head that signified divine assent). In the passage, Janus
goes on to reveal that he was once the 'chaos' that differentiated into
the world--but not completely, since 'my front and back look just the
same.' And he claims the typical sky-god attribute of viewing in opposite
directions the 'whole world' (1.283f.).
In the passage, Janus says that he sits at 'heaven's gate ... and regulates
the goings and comings of Jupiter himself.' The god reminds Ovid that
'every door has two fronts [or 'faces,' frontes], this way and that,
whereof one faces the people and the other the house-god.' That explains
the shape of Janus, who is heaven's janitor, 'free to look both ways
without budging.' In the rare instances of a full-bodied image of Janus,
there is always a staff in his right hand and a key in his left.
Archetypal Commentary
Although the Romans were convinced that Janus was exclusively their
own, they may have borrowed him unconsciously from fellow Italians,
the Etruscans, who at an earlier date worshiped a similar deity, named
Ani. When the religious syncretism with Greece was in full sway by the
second century BCE, Janus would remind Greco-Roman culture of the 'two-headed
Hermes/Mercury' figures that stood at roadsides to guard two directions
at once. Georges Dumézil has pointed out that the Scandinavian
god Heimdallr 'especially recalls Janus, both in space and in time.
Stationed 'at the limits of earth,' 'at the furthest point of the sky,'
he is the watchman of the gods; 'born in the beginning,' he is the ancestor
of humanity'--yet distinctly inferior in rank to the high god Odin,
as Janus was to Jupiter (332-333). For popular Christianity, St. Peter
took on some of these qualities when he received from Christ the 'key'
to the Kingdom; it is despite--or because of--his two-faced personality
that Peter is expected to be the janitor at the 'gates of Heaven.'
These parallels may well seem to be so many variations on a common Indo-European
background; however, Frazer points to the very different culture of
Suriname in northeast South America. There, villagers place at their
gate a block of wood, carved on either side with the two faces of a
god who wards off evil powers. Frazer notes:
Clearly this double-headed fetish at the gateway of the Negro villages
in Suriname bears a close resemblance to the double-headed images of
Janus ... and we can hardly doubt that in both cases the heads facing
two ways are to be similarly explained as expressive of the vigilance
of the guardian god. (193)
Material or Technique
Relief: bronze coin
Measurement
Unavailable
Provenance
Rome, Italy
Repository or Site
British Museum, London, England
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